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Difference between revisions of "Mission:A Quotidian Ragbag - Finale: Thou Shalt in Thy Daughter See"

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Revision as of 03:50, 2 October 2011

Finale: Thou Shalt in Thy Daughter See

Briefing

Hmm, this picture has some strong power in it, ? / girl..! Whatever the rest of the gumbo thinks, the loas are tellin' me that this definitely ties blood to blood, they're just not sure how. Perhaps the Monarch's not off his rocker, after all.

The loas also say that our Watercolor moves around a bunch. I'm seeing a slaver den, but I'm not sure if she's there now or not. In any case, she has been there, so that's your first step. Go to the slaver den and find out what you can. Its operation is run by a Dreg with mighty-high notions of himself called Taggart. Make sure to show he and his peoples that the Compound is protected.

  • I'll look for her there.

Make the spirits proud, Character. And be sure to question any slaves you find in that den, too. The more we know of the watercolor girl, the easier the loas can help bring her home.

Investigate the Slaver Den

Unnecessary Solicitation

? / Girl, the loas have already told you where to look for the watercolor girl. Get steppin'.

Mission Objective(s)

It seems like you're not the only one interested in the slavers. There's combat up ahead. Someone in here knows where Anna is, you just have to find the right one to ask.

  • Investigate the Slaver Den
    • 3 slaves to question
    • Speak to Slavemaster Taggart

The slaver hideout was under attack by a band of Shepherds when you arrived. You learned that Anna was the leader of the Shepherds from Slavemaster Taggart and a clue to her present whereabouts. It's time to track her down and convince her to meet the Monarch of the Compound, who claims to be her father.

Enemies

Notable NPCs

Find Anna at the Shepherd Haven

Unnecessary Solicitation

+++ Missing Information +++

Mission Objective(s)

You hear mystical chanting up ahead.

  • Find Anna at the Shepherd Haven
    • Convince Anna to Listen

Enemies

Notable NPCs

Settle affairs between the Monarch and Anna

Unnecessary Solicitation

? / Girl, ol' Nadia is havin' a bad feeling about what happens when the Monarch meets his daughter. Character, go make sure t'watch and help out where you can. The Carnival's still caught up in it like a thread that don' belong, don'tcha forget.

Mission Objective(s)

  • Settle affairs between the Monarch and Anna

Briefing

They're staring at me, Character. And not with the normal unease reserved for a Shepherd, but with a...with a...

  • With recognition, Anna. They've seen the Monarch's paintings. They know you're his daughter.
If you must know, my father died in the Asylum shortly after the Emperor sent us to First Ward. He went insane from the iniquities he found here and shortly after that the seers dragged him away. Orphaned in the ruins, I went native.
Whoever you're taking me to isn't my father, but I can see that some part of you wants him to be. And I choose to believe that's born out of compassion and not some baser agenda. Whatever the case, no one escapes the Asylum, Character. This is either a trap or the prologue to something far more sinister. You would do good to prepare yourself for what happens next.
  • I've worked hard to get you here, Anna. We can do this.
Let's get it over with, then.
  • We'll be fine. (Start Mission)
  • I'm not ready yet, give me a second (Leave)
  • Calvin Scott escaped from the Asylum, you know. (optional)
I stand corrected. The famous Calvin Scott seems to be the exception to every rule.


Mission Objective(s)

There's an unnatural tension in the air here, a cold emanation of an event gathering momentum.

  • Settle affairs between the Monarch and Anna
    • missed this one
    • Speak to the Monarch

Enemies

Notable NPCs

Balloon.png
Anna and the Monarch

Monarch: My beautiful Antebellum! It really is you!
Anna: What twisted deception is this? You're not my father.
Anna: While you labored on all those portraits of me, did you once think to paint yourself?
Monarch: What do you mean? Why look on me with such disdain? Why deem this reunion so foul or fueled by deceit?
Anna: If you think you are my father, then think of his face. It does not match your own, Monarch.
Anna: What's wrong, milord? Is it unraveling for you now, the consequences of such a mismatched visage?
Anna: Good! Now tell me who you REALLY are!
Monarch: You will mind your tongue, daughter. I have suffered so much to find you...
Monarch: ...YOU WILL NOT LEAVE HERE UNTIL YOU CALL ME KIN!

Debriefing

Don't feel bad you didn't get my people out of the clink, Character. First Ward works by strange rules, and maybe we're following them now. You did good, child, and the loas are pleased with you. And yet they are also alarmed that none of us suspected an Apparition as some deranged puppetmaster behind this whole ragbag. Perhaps the Vortex is making them stronger? Or dulling our senses to them? I'll just have to think on it in a trance brought on by lemonade-overload.

Anna is the key now. She's the Palatine of the Compound. If you get the rest of the Last Worders to recognize her authority instead of the Hetman's, she'll be allowed to free the Carnival troupers. An' I've got a sneakin' suspicion, ? / girl, that we'll see each other again.

The spirits say you are closer to what it is that you need to do, but they don't say what it is you need to do. That is still a good sign, Character. I am glad you came to ol' Nadia for answers.

Are you ready to help Anna legitimize her throne?